Music 511: Survey of American Music

T-TH 11:10-12:30   PCAC M222-223

Instructor: Daniel Beller-McKenna 862-1667

dbmk@cisunix.unh.edu

Office: PCAC M-116

Office hours: M-W: 1-2 (or by appointment)

 

 

 

Goals and Overview

The goal of the course is twofold: 1) to develop critical listening and interpretive skills towards various styles of music in the United States; and 2) to appreciate the role of music in forming a variety of American identities.  Throughout the semester we will examine several topics in the history of music making in the United States with emphasis on the following:

 

1.     Hymns and Psalms in the Colonies and early Nation

2.     The Blues

3.     African American Identity in Jazz (1900-1965)

4.     Folk Music: Collection, Movement, Revival (1900-1965)

5.     Country Music from Appalachia to Texas

6.     Roots of Rock and Roll 1950-1970 

 

Each topic has been chosen for its relevance to American culture and history and for how it informs our experience of being “American.”   There is a comprehensive textbook for the course that will be complemented by reading several on-line essays (articles and book chapters).  These writings take distinctive approaches to one or more performing artists of a particular musical style and raise larger social/cultural issues engendered by that musical style and those performers.   Of course, the main focus of study will be the music itself, which has been chosen as a representative sampling of the topics to be covered.  Accordingly, there is a heavy listening component to the course and you will be expected to familiarize yourself with a large number of weekly listening selections.

 

Text (Available from the Durham Book Exchange)

The general textbook for the course is Richard Crawford, America's Musical Life: A History.  Readings from this book and various on-line chapters, essays, etc. will be assigned on a weekly basis as indicated in the Course Overview on the Blackboard page for the course. 

 

                                                                        
Listening

Copies of CDs containing the assigned listening for the course are on reserve in the multimedia room of Dimond Library.  These include compilation CDs that I have made as well as several commercially released CDs.  Listening is assigned on a weekly basis as indicated in the course overview on the Blackboard page for the course. 

 

There is also a 3-CD set of recordings that match up with the textbook version of the Crawford text.  Purchase of these CDS is not required and I will not focus on these.

 

There are also two avenues for purchasing the assigned listening for the course for use on your own computer or mp3 player:

 

iTunes: on the Blackboard course website I have posted an iTunes playlist containing nearly all the assigned listening for the course (a few items for the first week will be posted as MP3s directly on the Blackboard site.  You are welcome to purchase the selections you wish from the list.

 

Rhapsody:  Rhapsody is commercial streaming-audio vendor.  By paying a monthly fee ($12.99) you can listen to complete tracks from their rather extensive library as much as you like.  A Rhapsody playlist is also posted on the Blackboard website.  

 

NB: Purchase iTunes tracks or a Rhapsody account is NOT REQUIRED.  You may listen to the reserve CDs in the library to complete the listening requirements for the course.

 

 

Blackboard Website

Most of the information for this course (handouts, assignments, study-guides, etc.) will not be handed out in hard copy, but rather will be made available through the Blackboard Website.  By registering for this course you automatically have access to this website and—if you did not already have one through a previous course—have had a Blackboard account opened for you.  For help getting started go to http://www.unh.edu/blackboard/gettingstarted.html.

 

 

Requirements

1.      The basic requirement for the course is to read and listen to the assigned materials in advance for each week.  Consult the Course overview on Blackboard for weekly assignments.

2.      During the semester you will be assigned a few graded, writing assignment.  These may include topical assignments, response papers on an assigned reading, and response papers to attendance at suggested musical performances on campus or in Durham. 

3.      There will be two exams (a mid-term and a final).  There will be no individual make-up exams given: students missing the mid-term will take a cumulative make-up exam near the end of the semester (in addition to the final exam).  Exams will include listening identification and multiple choice questions.  Please check the exam dates below and make sure you are available to take the exam on those dates.

4.      I will give weekly listening identification quizzes on the assigned listening for the current week.  These may occur on Tuesday or Thursday and will not be announced ahead of time.  There will be no make-ups for any quizzes, but the lowest three quiz grades will be dropped, so you will not be penalized for missing up to three quizzes.  Click here for a guide to listening.  Any quizzes missed beyond three will directly affect your grade for the course: one portion of a grade per quiz missed (i.e., if you miss four quizzes and your grade for the course should be an A-, you will receive a B+; five quizzes missed and your grade will be a B; etc.)

5.      Regular attendance is required.  Since lectures will frequently diverge from the readings, I expect all students to come to every class. 

 

 

 

Grading

Written assignments

15%

Quizzes

25%

Exams

60% (30 each)

 

 

Exam Dates

Mid term exam:        Thursday, October 12, in class
Final exam:              Thursday, December 20, 8:00-10:00